{"product_id":"issue-14-half-full","title":"Issue 14: Half Full","description":"\u003cp\u003eSpring\/Summer 2025\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eHALF FULL\u003c\/strong\u003e\u003cspan\u003e delights in duality, incompleteness, and lapses in memory. \u003cbr\u003e\u003cbr\u003eIssue 14 features 119 pages of writing as well as include a special mini magazine insert previewing the Boston Public Art Triennial. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWith contributions by: \u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSónia Almeida\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eClara Maria Apostolatos\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLuis Arnías\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStorm Bookhard\u003cbr\u003eJacqueline Houton\u003cbr\u003eJameson Johnson \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLauren Levato Coyne\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eJoetta Maue\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDarla Migan \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMichelle Millar Fisher\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMichael Medeiros\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKarla Méndez\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRamona Ngin\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMemory Object\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAlanna Prince\u003cbr\u003eAlisa Prince\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThea Quiray Tagle \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRachel TonThat \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDorian Wood\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFeaturing: \u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eNora Burnett Abrams\u003cbr\u003eSarah Ganz Blythe\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eRenée Green\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eYonatan Hopp\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eKathy King\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSkooby Laposky\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMiguel Enrique Lastra\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eJennie Jieun Lee\u003cbr\u003eLucy R. Lippard\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMegumi Naitoh\u003cbr\u003eAngela Tate\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCover: Renée Green, \u003cem\u003eColour Games\u003c\/em\u003e, 1989. Acrylic on wood, Letraset dry-transfer lettering, and rubber-stamped ink on Masonite. Collection Yun Chun Lu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.bostonartreview.com\/shop\/yearly-print-subscription?level=Basic+%E2%80%94+%2442\"\u003e\u003cspan\u003ePrint subscribers get free shipping + other perks!\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":44225523613740,"sku":null,"price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/0_Front-square.jpg?v=1744039660","url":"https:\/\/boston-art-review.myshopify.com\/products\/issue-14-half-full","provider":"Boston Art Review","version":"1.0","type":"link"}