{"title":"Home page","description":null,"products":[{"product_id":"yearly-print-subscription","title":"Yearly Print Subscription","description":"\u003cdiv\u003e\u003cem\u003eSelect a level then click add to bag \u003cbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eBoston Art Review \u003c\/em\u003eproduces two print magazines annually. Each print issue contains exclusive content including bespoke artist projects.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eIf purchasing this subscription as a gift, \u003ca href=\"https:\/\/www.bostonartreview.com\/shop\/gift-print-subscription\"\u003eplease purchase here\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eYour subscription will begin with\u003c\/strong\u003e \u003cstrong\u003e\u003ca href=\"https:\/\/www.bostonartreview.com\/shop\/issue-16\"\u003eIssue 16 (Spring\/Summer 2026)\u003c\/a\u003e. \u003c\/strong\u003ePrevious issues may be ordered separately. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIssue 17 will be released at the Boston Art Book Fair on November 13, 2026—save the date for a big party! \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eBasic Subscription Member— $42 \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTwo print issues annually\u003c\/li\u003e\n\u003cli\u003e1 free ticket to a BAR event in 2026\u003c\/li\u003e\n\u003cli\u003eFree shipping \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eCommunity \u003cmeta charset=\"utf-8\"\u003eSubscription Member — $75 \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTwo print issues annually \u003c\/li\u003e\n\u003cli\u003eFree shipping\u003c\/li\u003e\n\u003cli\u003e1 free ticket to a BAR event in 2026\u003c\/li\u003e\n\u003cli\u003eThe BAR Tote Bag (in exclusive brown color)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eFriend \u003cmeta charset=\"utf-8\"\u003eSubscription Member — $150\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTwo print issues annually \u003c\/li\u003e\n\u003cli\u003eFree shipping \u003c\/li\u003e\n\u003cli\u003eDiscounts on future event tickets\u003c\/li\u003e\n\u003cli\u003eThe BAR Tote Bag \u003cmeta charset=\"utf-8\"\u003e(in exclusive brown color)\u003c\/li\u003e\n\u003cli\u003e2 free tickets to a BAR event in 2026 (great for couples!) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eBoston Art Review\u003c\/em\u003e is a nonprofit publication. We rely on the generosity of readers like you to produce our work. \u003ca href=\"https:\/\/www.bostonartreview.com\/support\/donate?amount=%24150+-+Friend\"\u003eMake a tax-deductible gift and join the BAR Giving Circle here.\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eInterested in purchasing an institutional membership for a university, office, or library? Please contact \u003ca href=\"mailto:editorial@bostonartreview.com\"\u003eeditorial@bostonartreview.com\u003c\/a\u003e.\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Basic","offer_id":44221619601452,"sku":"","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Community","offer_id":44221619634220,"sku":"","price":75.0,"currency_code":"USD","in_stock":true},{"title":"Friend","offer_id":44221619666988,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/Issue11spreadsmockup-brighter.jpg?v=1712595807"},{"product_id":"gift-print-subscription","title":"Gift Print Subscription","description":"\u003cp\u003eGift a year of \u003cem\u003eBoston Art Review\u003c\/em\u003e to your favorite art lover! \u003c\/p\u003e\n\u003cp\u003ePrint subscriptions include:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e— 2 copies of \u003cem\u003eBoston Art Review \u003c\/em\u003e\u003cbr\u003e— FREE shipping ($10 value) \u003cbr\u003e— Invitations to special events \u003cbr\u003e\u003cbr\u003eGift subscriptions will start with Issue 15 (fall\/winter 2025)\u003cbr\u003e\u003cbr\u003eOrder by December 17 for guaranteed delivery before December 25. \u003cbr\u003e\u003cbr\u003ePlease provide the recipients shipping address and email address. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":43953527455788,"sku":"","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR_sub_gift.jpg?v=1732634040"},{"product_id":"issue-14-half-full","title":"Issue 14: Half Full","description":"\u003cp\u003eSpring\/Summer 2025\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eHALF FULL\u003c\/strong\u003e\u003cspan\u003e delights in duality, incompleteness, and lapses in memory. \u003cbr\u003e\u003cbr\u003eIssue 14 features 119 pages of writing as well as include a special mini magazine insert previewing the Boston Public Art Triennial. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWith contributions by: \u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSónia Almeida\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eClara Maria Apostolatos\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLuis Arnías\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStorm Bookhard\u003cbr\u003eJacqueline Houton\u003cbr\u003eJameson Johnson \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLauren Levato Coyne\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eJoetta Maue\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDarla Migan \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMichelle Millar Fisher\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMichael Medeiros\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKarla Méndez\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRamona Ngin\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMemory Object\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAlanna Prince\u003cbr\u003eAlisa Prince\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThea Quiray Tagle \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRachel TonThat \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDorian Wood\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFeaturing: \u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eNora Burnett Abrams\u003cbr\u003eSarah Ganz Blythe\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eRenée Green\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eYonatan Hopp\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eKathy King\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSkooby Laposky\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMiguel Enrique Lastra\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eJennie Jieun Lee\u003cbr\u003eLucy R. Lippard\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMegumi Naitoh\u003cbr\u003eAngela Tate\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCover: Renée Green, \u003cem\u003eColour Games\u003c\/em\u003e, 1989. Acrylic on wood, Letraset dry-transfer lettering, and rubber-stamped ink on Masonite. Collection Yun Chun Lu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.bostonartreview.com\/shop\/yearly-print-subscription?level=Basic+%E2%80%94+%2442\"\u003e\u003cspan\u003ePrint subscribers get free shipping + other perks!\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":44225523613740,"sku":null,"price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/0_Front-square.jpg?v=1744039660"},{"product_id":"benefit-print-edition-sonia-almeida","title":"Benefit Print Edition: Sonia Almeida","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWe're pleased to announce the sale of an exclusive six-color jigsaw woodblock print by artist Sónia Almeida. With only 25 numbered editions, this artwork represents our first benefit print edition where all proceeds will go toward sustaining \u003c\/span\u003e\u003ci data-stringify-type=\"italic\"\u003eBoston Art Review's\u003c\/i\u003e\u003cspan\u003e future. Sónia Almeida's work can also be found in \u003c\/span\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.bostonartreview.com\/shop\/issue-14-half-full\" data-sk=\"tooltip_parent\" data-stringify-link=\"https:\/\/www.bostonartreview.com\/shop\/issue-14-half-full\" class=\"c-link\" target=\"_blank\"\u003eIssue 14: Half Full\u003c\/a\u003e\u003cspan\u003e in a print-exclusive artist project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSónia Almeida, \u003cem\u003eAsymmetries\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e, 2025\u003c\/strong\u003e\u003cbr\u003eJigsaw woodcut printed in colors on Fabriano Rosaspina paper. 23 in. x 30 in. unframed, 24 ½ in. x 31 ½ in. framed. Signed and dated in pencil. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eNumbered edition of 25\u003cbr\u003ePrinted by Stone Hill Press, Woburn\u003cbr\u003ePublished for \u003cem\u003eBoston Art Review\u003c\/em\u003e by \u003ca rel=\"noopener\" href=\"https:\/\/www.cairaarteditions.com\/\" target=\"_blank\"\u003eCaira Art Editions, Cambridge\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003e$1,950 unframed — \u003cmeta charset=\"utf-8\"\u003eAvailable for local pickup or shipping beginning May 15, 2025\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cspan\u003e$2,450 framed — \u003c\/span\u003ePlease allow 3-4 weeks for custom framing by Stanhope Framers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\u003c\/em\u003e\u003cem\u003eShipping costs are additional and will be determined based upon address at time of transit. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFor questions or to pay by invoice \/ check, please contact \u003ca href=\"mailto:jameson@bostonartreview.com\"\u003ejameson@bostonartreview.com\u003c\/a\u003e. Otherwise, we will be in touch to coordinate pickup or dropoff logistics. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eAbout this project: \u003cbr\u003e\u003c\/strong\u003eSónia Almeida is thinking about what is kept on the margins, and what it might be like for the peripheral to become central. The elements that make up \u003cem\u003eAsymmetries\u003c\/em\u003e refer to the material and the digital world—sometimes both at once. \u003c\/p\u003e\n\u003cp\u003eFor a composition made up of disparate elements—18th and 19th century fabric book samples, digital pixels, or architectural motifs—the jigsaw woodcut perfectly married medium to concept. \u003cem\u003eAsymmetries\u003c\/em\u003e is printed from eight distinct woodblocks, in six colors, via three runs through the press. The first layer required a careful registration of six individually inked woodblocks, fit together on the press bed like a jigsaw puzzle. The second and third layers, while single woodblocks only (one for the orange and one for the black) demanded no less precision. An accomplished printmaker, Almeida’s skill with the medium is seen in the variety of lines; note that any straight edges were manually cut alternately with and against the grain of the woodblock. \u003cmeta charset=\"utf-8\"\u003eAs a whole, the image coalesces into a spiral, forming a path for the eye to travel from the edges inward, with occasional steps and skips. This is akin to how we receive and synthesize information in daily life. \u003c\/p\u003e\n\u003cp\u003e“Chatter” is a printmaking term for the unintentional remnants of the block that print in areas that should be blank. (In a woodcut, anything unprinted in the image must be cut away.) Almeida reveled in the “chatter” that contributed spontaneous static in an otherwise carefully planned image. With \u003cem\u003eAsymmetries\u003c\/em\u003e, she questions why we focus on the center when the borders can be just as interesting. The characteristics of her medium offer a visual reprise: in a thoroughly mapped out image, the incidental marks enliven the whole.\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Unframed","offer_id":44340408156204,"sku":"","price":1950.0,"currency_code":"USD","in_stock":true},{"title":"Framed","offer_id":44340408188972,"sku":"","price":2450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/sonia_framed_square.jpg?v=1746751959"},{"product_id":"issue-15","title":"Issue 15","description":"\u003cp\u003e\u003cstrong\u003eAll copies of Issue 15 come with a free print copy of \u003ca href=\"https:\/\/artradar.org\/\"\u003eRadar\u003c\/a\u003e, our map of Greater Boston's art spaces and current exhibitions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCover: Tourmaline at Stonewall National Monument, 2025. Photo by Nico Reano for \u003cem\u003eBoston Art Review\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWith contributions by:  \u003c\/strong\u003e\u003cbr\u003eQais Assali\u003cbr\u003eMarcus Civin\u003cbr\u003eKim Córdova\u003cbr\u003eMelaine Ferdinand-King\u003cbr\u003eDevin Gordon\u003cbr\u003eKarolina Hać\u003cbr\u003eAlula Hunsen\u003cbr\u003ePetala Ironcloud\u003cbr\u003eLauren Levato Coyne\u003cbr\u003eRamona Ngin\u003cbr\u003eLian Parsons-Thomason\u003cbr\u003eEmily Sheffer\u003cbr\u003eEmily Shoyer\u003cbr\u003eTK Smith\u003cbr\u003eAlex Valenti\u003cbr\u003eRachel Vogel\u003cbr\u003eDoug Weathersby\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeaturing: \u003c\/strong\u003e\u003cbr\u003eDonnamaria Bruton\u003cbr\u003eAustin Bryant\u003cbr\u003eLiz Collins\u003cbr\u003eOdette England\u003cbr\u003eDrew Leventhal\u003cbr\u003eLisa McCarty\u003cbr\u003eBrooke Stewart\u003cbr\u003eTourmaline\u003cbr\u003eDaphne Xu\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMichael Mandel \u0026amp; Chantal Zakari\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReviews: \u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e“Bobby Anspach: Everything is Change” at the Newport Art Museum\u003cbr\u003e“Beverly Semmes: Boulders \/ Flag \/ Flip \/ Kick” at Tufts University Art Galleries\u003cbr\u003e“Fred Wilson: Reflections” at the Rose Art Museum\u003cbr\u003e“Visual Kinship” at the Hood Museum of Art, Dartmouth College\u003cbr\u003e“2025 James and Audrey Foster Prize” at the ICA \/ Boston\u003cbr\u003e“Nature Sanctuary” at deCordova Sculpture Park and Museum\u003cbr\u003e“Gisela McDaniel: ININA” at the Ogunquit Museum of American Art\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":44830222516268,"sku":null,"price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/15_Front-square.jpg?v=1759342837"},{"product_id":"box-of-radar-maps","title":"Free Art Radar Maps (New: Fall 2026)","description":"\u003cp\u003eWant to help us distribute \u003cem\u003eRadar\u003c\/em\u003e to your community?\u003c\/p\u003e\n\u003cp\u003eJust pay for the shipping and we'll send you a stack of maps along with a free copy of Issue 16 as a thank you for helping us get \u003cem\u003eRadar \u003c\/em\u003eout into the world. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Radar: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \u003cem\u003e\u003ca href=\"https:\/\/artradar.org\/\"\u003eBoston Art Radar\u003c\/a\u003e\u003c\/em\u003e is a first-of-its-kind resource for connecting people to the cultural spaces that shape Greater Boston’s visual arts community. From artist-run spaces and studio buildings to galleries and museums, Radar is an on-the-ground guide driven by neighborhoods rather than destinations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaps are free and released quarterly. All locations on the map are distribution points for Radar. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Fall 2026 Edition:\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eThis edition includes listings for exhibitions and programs through November 15, 2026. \u003cbr\u003e\u003cbr\u003eWe even added 10 new locations!\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------------------------------------------\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eLooking for just one copy of the \u003cem\u003eRadar\u003c\/em\u003e map? Order a \u003ca href=\"https:\/\/www.bostonartreview.com\/shop\/issue-16\"\u003ecopy of Issue 16\u003c\/a\u003e to get a copy of \u003cem\u003eRadar \u003c\/em\u003eor \u003ca href=\"https:\/\/artradar.org\/map\"\u003evisit one of the locations on the map\u003c\/a\u003e to pick one up for free. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"1 Stack — 20 Copies","offer_id":44902567706668,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true},{"title":"2 Stacks — 40 Copies","offer_id":44902567739436,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true},{"title":"3 Stacks — 60 Copies","offer_id":44902567772204,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true},{"title":"4 Stacks — 80 Copies","offer_id":45553036296236,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR-Radar-Fall2026-mockup.jpg?v=1789391143"},{"product_id":"issue-16","title":"Issue 16","description":"\u003cp\u003e\u003cstrong\u003eAll copies of Issue 16 come with a free print copy of \u003ca href=\"https:\/\/artradar.org\/\"\u003eRadar\u003c\/a\u003e, our map of Greater Boston's art spaces and current exhibitions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eCover: Inside Aspen Golann's studio in Rochester, New Hampshire, she is pictured with \u003cem\u003eCombback Windsor Armchair\u003c\/em\u003e, \u003cem\u003eCircle Broom\u003c\/em\u003e, \u003cem\u003eWheat Broom\u003c\/em\u003e, \u003cem\u003eErgo Workstool\u003c\/em\u003e, and \u003cem\u003eSplit Broom\u003c\/em\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWith contributions by:\u003cbr\u003e\u003c\/strong\u003eJorge S. Arango\u003cbr\u003eRichard Blanco\u003cbr\u003eBrian Boyles\u003cbr\u003eMarcus Civin\u003cbr\u003eKaitlyn Ovett Clark\u003cbr\u003eJ. Yolande Daniels\u003cbr\u003eMelaine Ferdinand-King\u003cbr\u003eLindsey Filowitz\u003cbr\u003eEmmy Liu\u003cbr\u003eNina MacLaughlin\u003cbr\u003eMarianna McMurdock\u003cbr\u003eMary Amanda McNeil\u003cbr\u003eDana Moser\u003cbr\u003eAlanna Prince\u003cbr\u003eElodie Saint-Louis\u003cbr\u003eShuchi Saraswat\u003cbr\u003eYuTong Shi\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeaturing:\u003cbr\u003e\u003c\/strong\u003eSilence Dogood\u003cbr\u003eAspen Golann\u003cbr\u003eChenlu Hou\u003cbr\u003eRebecca Kopycinski\u003cbr\u003eRixy\u003cbr\u003eYinka Shonibare\u003cbr\u003eBenjamin Spalding\u003cbr\u003eWEATHERMAN\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReviews\u003cbr\u003e\u003c\/strong\u003e\"Revolution! 250 Years of Art \u0026amp; Activism in Boston\" at the Boston Public Library\u003cbr\u003e\"Say It Loud: AAMARP, 1977 to Now\" at the ICA \/ Boston\u003cbr\u003e\"Michelle Lopez: Shadow of a Doubt\" at Tufts University Art Galleries\u003cbr\u003e\"Eve Fowler: words doing as they want to do\" at the Harvard Radcliffe Institute\u003cbr\u003e\"Edmonia Lewis: Said in Stone\" at Peabody Essex Museum\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":45442058551340,"sku":null,"price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR-16_cover-square.jpg?v=1777472204"}],"url":"https:\/\/boston-art-review.myshopify.com\/collections\/frontpage.oembed","provider":"Boston Art Review","version":"1.0","type":"link"}