{"title":"All Products","description":"","products":[{"product_id":"issue-01-notions-of-place-limited-second-print","title":"Issue 01: Notions of Place - SOLD OUT","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIt is with great joy that we share the inaugural print edition of Boston Art Review with you. Issue 01, “Notions of Place,” seeks to explore what it means to create work, within the context of a place. In these pages, you will find essays, reviews, interviews, profiles, and features written by a diverse cross section of scholars, curators, educators, artists, and community members. These authors believe in the power of arts writing to connect individuals from throughout Boston and beyond, through creative engagement in critical discourse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCover: S. Billie Mandle, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGreen 002, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e2017.\u003c\/span\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":42004694630444,"sku":"","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR1Cover-Square.png?v=1710786414"},{"product_id":"issue-02-field-work-limited-second-print","title":"Issue 02: Field Work - Limited Second Print","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eInspiration for Issue 02 stemmed directly from the work that we saw artists engaging with around Boston. As you flip through these pages, you’ll find that “Field Work” does not exclusively refer to a granular methodology, but rather extends to artists, writers, designers, and scientists whose work directly engages with the land we occupy. This issue concerns itself with the human experience, the symbiosis between existence and environment, and our relationship to Earth, matter, and its elements. Throughout these pages, we are posed with questions of stewardship, agency, and empathy towards our planet. “Field Work” presents an opportunity to evaluate our relationship to Earth and to one another as collaborators on this planet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCover: Cassandra Klos.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":42004717273132,"sku":"","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR2Cover-Square.png?v=1710786555"},{"product_id":"issue-03-tracing-movement","title":"Issue 03: Tracing Movement","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eIssue 03 seeks to examine the role contemporary art and artists play in shaping how we move through cultural, societal, ecological, and personal shifts. We invited writers and artists to join us as we explored the space between motion and change. As a result, this issue reflects our evolving social and political climate, facilitating discourse surrounding both global and local phenomena, from immigration and ancestry, to activism and community organizing. “Tracing Movement” provides a lens through which the physical, social, and conceptual impact of movement can be viewed.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCover: \u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003ePelle Cass, Crowded Fields, 2018.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":42004729757740,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR3Cover-Square.png?v=1710786679"},{"product_id":"issue-04-the-public-art-issue","title":"Issue 04: The Public Art Issue","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e“The Public Art Issue” studies the ever-evolving factors at play when access, sites, and engagement shape the development of art and artists in the public sphere. As the roles of audience and activism shift in response to tension between bureaucracy and community, this issue provides room for reflective and forward-thinking discourse on the matter. To this end, we consider the language surrounding public art as the rise of new digital and physical platforms expand our definitions of public space.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCover: G. Ortiz Photography, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eProblak\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":42004751646764,"sku":"","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR4Cover-Square.png?v=1710786822"},{"product_id":"issue-05-no-boundaries","title":"Issue 05: No Boundaries","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eOur planning for “No Boundaries” began before May 5, 2020, when George Floyd was murdered by a white police officer in Minneapolis and the world ignited in protest over countless Black lives lost to systemic violence. Given that fact, this issue may feel anachronistic, but the messages it contains are not. Issue 05 features the work of artists, writers, curators, and collectives who have long been advocating for a new normal. These voices, among many others, spotlight the crucial role that art and discourse play in disrupting long-standing structures of inequality. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCover: Yu-Wen Wu, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBundle Stories\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIncludes: Poster designed by OJ Slaughter.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":42004758593580,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR5Cover-Square.png?v=1710786963"},{"product_id":"issue-06-timestamp","title":"Issue 06: Timestamp","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn “Time Stamp,” we sought to capture all the unraveling, uncertainty, learning, and vulnerability of the moment. Looking back, 2020 was more than the year of the pandemic: it was a year of experimentation, community growth, protest against racial injustice, and democratic demonstration. Throughout its pages, this issue contains subtle demarcations of time. The following writings offer a glimpse back at how its uneven progression shapes our understanding of the world around us. We hope that readers will simply be invited to listen and learn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCover: Cicely Carew, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eFor what is bitter and what is sweet is all for my growing\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, 2020.\u003c\/span\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":42004762984492,"sku":"","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/bar06_cover_mockup2_jpg.webp?v=1698419777"},{"product_id":"issue-07-rooting","title":"Issue 07: Rooting","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“Rooting” is a site for exploring all that cannot be seen at the surface. It is a space for highlighting the hidden connections, histories, and shared networks of knowledge that make our creative community flourish. Within these pages, artists, writers, community organizers, and scholars reflect on what it means to “root” in their own sites, communities, and practices.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCover: Gohar Dashti, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eUntitled\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, from the series \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eUprooted\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, 2019.\u003c\/span\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":42004771930156,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR7Cover-Square.png?v=1710787169"},{"product_id":"issue-08-face-to-face","title":"Issue 08: Face to Face","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThis issue offers a celebration of faces, bodies, and physical spaces, coming out after two years of seeing each other through masks and screens. Implying a certain amount of frankness, “Face to Face” does not shy away from confrontations. It’s a site for interrogating the conventions of portraiture and portrayal, while celebrating the beauty of the habits, interactions, emotions, and ideas that make us human.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCover: Sheida Soleimani, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKhooroos\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e (\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003erooster\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e) \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003enamed Manoocher \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(front) and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eNoon-o-namak \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ebread and salt\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e) (back), 2021.\u003c\/span\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":42004779597868,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR8Cover-Square.png?v=1710787271"},{"product_id":"issue-09-burnout","title":"Issue 09: Burnout","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThis issue is dedicated to exploring how burnout can act as a catalyst for collaborating and collective organizing, while also acknowledging the necessity for care in moments of exhaustion. The work presented in this issue digs into the complex power dynamics inherent to labor, care work, and unseen effort. How does burnout lead to precarity for small organizations, art spaces, or even personal practices? What does a post-burnout culture look like?\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCover: Andy Li, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Exhale\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, 2022.\u003c\/span\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":42004783923244,"sku":"","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR9Cover-Square.png?v=1710787379"},{"product_id":"issue-10-recall","title":"Issue 10: Recall","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAs BAR celebrates our own (albeit short) history, we’re looking to archives and blueprints, memories, and dreams to inform our future. We’re paying homage to the people and spaces that have shaped Boston’s art community and scenes that are inspiring new waves. We’re reflecting on how far we’ve come, what we’ve left behind, and what we’re hoping to create.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCover: Lyle Ashton Harris, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eObsessão II\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, detail 2017.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIncludes: Poster designed by Lyle Ashton Harris, 14.5″ x 19×5″, offset print with metallic ink.\u003c\/span\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":42004794933292,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR10Cover-Square.png?v=1710787494"},{"product_id":"the-boston-art-review-tote","title":"The Boston Art Review Tote","description":"\u003cp data-mce-fragment=\"1\"\u003eShow off your love for \u003cem\u003eBoston Art Review\u003c\/em\u003e with this sleek and durable tote bag! \u003cbr\u003e\u003cbr\u003eNOW WITH \u003cstrong\u003ePOCKETS!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e— Made locally in New Hampshire with 100% heavyweight cotton\u003cbr\u003e— 13”w x 16”h \u003cbr\u003e— Longer handles\u003cbr\u003e— Gusseted bottom \u003cbr\u003e\u003cbr\u003eIt comfortably holds everything you might need for the day and more!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eExclusive brown color reserved for \u003ca href=\"https:\/\/www.bostonartreview.com\/shop\/yearly-print-subscription?level=Basic\"\u003esubscribers\u003c\/a\u003e and members of the \u003ca href=\"https:\/\/www.bostonartreview.com\/support\/donate?amount=%24150+-+Friend\"\u003eBAR giving circle\u003c\/a\u003e. \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOur editor in chief regularly carries a laptop, charger, notebook, and water bottle with ease in the BAR tote. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Black","offer_id":45080183341100,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true},{"title":"Brown","offer_id":45125114495020,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR_Bag_new.jpg?v=1732637266"},{"product_id":"yearly-print-subscription","title":"Yearly Print Subscription","description":"\u003cdiv\u003e\u003cem\u003eSelect a level then click add to bag \u003cbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eBoston Art Review \u003c\/em\u003eproduces two print magazines annually. Each print issue contains exclusive content including bespoke artist projects.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eIf purchasing this subscription as a gift, \u003ca href=\"https:\/\/www.bostonartreview.com\/shop\/gift-print-subscription\"\u003eplease purchase here\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eYour subscription will begin with\u003c\/strong\u003e \u003cstrong\u003e\u003ca href=\"https:\/\/www.bostonartreview.com\/shop\/issue-16\"\u003eIssue 16 (Spring\/Summer 2026)\u003c\/a\u003e. \u003c\/strong\u003ePrevious issues may be ordered separately. \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIssue 17 will be released at the Boston Art Book Fair on November 13, 2026—save the date for a big party! \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eBasic Subscription Member— $42 \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTwo print issues annually\u003c\/li\u003e\n\u003cli\u003e1 free ticket to a BAR event in 2026\u003c\/li\u003e\n\u003cli\u003eFree shipping \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eCommunity \u003cmeta charset=\"utf-8\"\u003eSubscription Member — $75 \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTwo print issues annually \u003c\/li\u003e\n\u003cli\u003eFree shipping\u003c\/li\u003e\n\u003cli\u003e1 free ticket to a BAR event in 2026\u003c\/li\u003e\n\u003cli\u003eThe BAR Tote Bag (in exclusive brown color)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eFriend \u003cmeta charset=\"utf-8\"\u003eSubscription Member — $150\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eTwo print issues annually \u003c\/li\u003e\n\u003cli\u003eFree shipping \u003c\/li\u003e\n\u003cli\u003eDiscounts on future event tickets\u003c\/li\u003e\n\u003cli\u003eThe BAR Tote Bag \u003cmeta charset=\"utf-8\"\u003e(in exclusive brown color)\u003c\/li\u003e\n\u003cli\u003e2 free tickets to a BAR event in 2026 (great for couples!) \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eBoston Art Review\u003c\/em\u003e is a nonprofit publication. We rely on the generosity of readers like you to produce our work. \u003ca href=\"https:\/\/www.bostonartreview.com\/support\/donate?amount=%24150+-+Friend\"\u003eMake a tax-deductible gift and join the BAR Giving Circle here.\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eInterested in purchasing an institutional membership for a university, office, or library? Please contact \u003ca href=\"mailto:editorial@bostonartreview.com\"\u003eeditorial@bostonartreview.com\u003c\/a\u003e.\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Basic","offer_id":44221619601452,"sku":"","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Community","offer_id":44221619634220,"sku":"","price":75.0,"currency_code":"USD","in_stock":true},{"title":"Friend","offer_id":44221619666988,"sku":"","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/Issue11spreadsmockup-brighter.jpg?v=1712595807"},{"product_id":"issue-11-emerge","title":"Issue 11: Emerge","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e“Emerge” is a platform for artists, writers, and organizers who are imagining possible futures. It celebrates the in-between moments, while asserting that the emerging can occur at any age and at any pace. This action, unlike appearing, carries some remnant of the past, and it evokes a visceral movement, proclaiming an expectation of the future. We believe that the term implies humility, but also potential, something that you’ll see in the pages of this issue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCover: Alison Croney Moses, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eFlame Birch Shell Small\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, 2023 (front). Back, Alison Croney Moses, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWalnut Shell Two\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, 2023 (back). Photos by Mel Taing.\u003c\/span\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":42792601976876,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR11Cover-Square.png?v=1710787644"},{"product_id":"limited-edition-tote-bag-by-sneha-shrestha-aka-imagine","title":"Limited Edition Tote Bag by Sneha Shrestha aka IMAGINE (SOLD OUT)","description":"On occasion of Sneha Shrestha's (aka IMAGINE) major solo exhibition at the Cantor Art Gallery and Boston Art Review's recent rebrand, we're thrilled to share a limited edition tote bag designed by IMAGINE. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpecs: \u003cbr data-mce-fragment=\"1\"\u003e100% cotton\u003cbr data-mce-fragment=\"1\"\u003e13 x 16 in. \u003cbr data-mce-fragment=\"1\"\u003eGusseted bottom\u003cbr data-mce-fragment=\"1\"\u003e25 in. spun cotton handle\u003cbr data-mce-fragment=\"1\"\u003eScreen printed\u003cbr data-mce-fragment=\"1\"\u003eMade locally in New Hampshire!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll tote bags ship from the Boston Art Review office. \u003cbr\u003e\u003cbr\u003ePhotos by Jane Louie Photography","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":43065194020908,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/sneha_tote_14.jpg?v=1712773379"},{"product_id":"issue-12-some-assembly-required","title":"Issue 12: Some Assembly Required","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe theme of this issue, \"Some Assembly Required,\" is both an invitation and a call. It’s a celebration of layered processes and histories and an exploration of what happens when we create space for collective action. \u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eWith stories that cover past collective actions, current organizing, and more, Issue 12 is a reminder that the only way to find our path forward is to build it.\u003cbr\u003e\u003cbr\u003eIssue 12 will be released at our annual launch event on May 18. It will be available for pickup by selecting the \"Party Entry\" ticket. Otherwise, copies will be shipped beginning May 22. \u003c\/p\u003e\n\u003cp\u003eCover: Hong Hong, \u003cem\u003e内陆\/Inland\u003c\/em\u003e (detail), 2023\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":43265711702060,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR12Cover-Square.png?v=1714402680"},{"product_id":"issue-13-make-believe","title":"Issue 13: Make Believe","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIssue 13 makes room for many forms of imagining. Maria Molteni and Laura Campagna draw parallels between the \u003c\/span\u003e\u003cstrong data-stringify-type=\"bold\"\u003enineteenth-century Era of Manifestations\u003c\/strong\u003e\u003cspan\u003e and a heightened sense of spiritualism today. Jordan Barrant examines the \u003c\/span\u003e\u003cstrong data-stringify-type=\"bold\"\u003eportals that Caribbean artists have brought to Boston\u003c\/strong\u003e\u003cspan\u003e. Emily Sara and Sara Hendren imagine a\u003c\/span\u003e\u003cstrong data-stringify-type=\"bold\"\u003e world where disability design becomes quotidian\u003c\/strong\u003e\u003cspan\u003e. In our Community Voices section, we hear from local theater makers about the pieces of \u003c\/span\u003e\u003cstrong data-stringify-type=\"bold\"\u003estagecraft that have enlivened recent performances\u003c\/strong\u003e\u003cspan\u003e. And for our artist project, we asked four artists to each share \u003c\/span\u003e\u003cstrong data-stringify-type=\"bold\"\u003ea design for a mask\u003c\/strong\u003e\u003cspan\u003e, with results that are by turns whimsical, playful, and pointed in their social commentary. Plus so much more...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn our cover, Tomashi Jackson's \u003c\/span\u003e\u003cem\u003eTime and Space\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e(2020) layers archival images from the Civil Rights Movement with ephemera from the 2020 election—an election marked by an uptick in polling place closures. Issue 13 will make its debut just days before the 2024 election. Here, and in conversation with Alisa Prince, Jackson reminds us that history and the present are always intertwined, but more importantly, that the systems we take for granted are never guaranteed.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":43853530791980,"sku":null,"price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR13CoverMockup.png?v=1728333082"},{"product_id":"gift-print-subscription","title":"Gift Print Subscription","description":"\u003cp\u003eGift a year of \u003cem\u003eBoston Art Review\u003c\/em\u003e to your favorite art lover! \u003c\/p\u003e\n\u003cp\u003ePrint subscriptions include:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e— 2 copies of \u003cem\u003eBoston Art Review \u003c\/em\u003e\u003cbr\u003e— FREE shipping ($10 value) \u003cbr\u003e— Invitations to special events \u003cbr\u003e\u003cbr\u003eGift subscriptions will start with Issue 15 (fall\/winter 2025)\u003cbr\u003e\u003cbr\u003eOrder by December 17 for guaranteed delivery before December 25. \u003cbr\u003e\u003cbr\u003ePlease provide the recipients shipping address and email address. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":43953527455788,"sku":"","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR_sub_gift.jpg?v=1732634040"},{"product_id":"issue-14-half-full","title":"Issue 14: Half Full","description":"\u003cp\u003eSpring\/Summer 2025\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eHALF FULL\u003c\/strong\u003e\u003cspan\u003e delights in duality, incompleteness, and lapses in memory. \u003cbr\u003e\u003cbr\u003eIssue 14 features 119 pages of writing as well as include a special mini magazine insert previewing the Boston Public Art Triennial. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWith contributions by: \u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSónia Almeida\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eClara Maria Apostolatos\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLuis Arnías\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eStorm Bookhard\u003cbr\u003eJacqueline Houton\u003cbr\u003eJameson Johnson \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eLauren Levato Coyne\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eJoetta Maue\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDarla Migan \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMichelle Millar Fisher\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMichael Medeiros\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eKarla Méndez\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRamona Ngin\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eMemory Object\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAlanna Prince\u003cbr\u003eAlisa Prince\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThea Quiray Tagle \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRachel TonThat \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eDorian Wood\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFeaturing: \u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eNora Burnett Abrams\u003cbr\u003eSarah Ganz Blythe\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eRenée Green\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eYonatan Hopp\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eKathy King\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSkooby Laposky\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMiguel Enrique Lastra\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eJennie Jieun Lee\u003cbr\u003eLucy R. Lippard\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMegumi Naitoh\u003cbr\u003eAngela Tate\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCover: Renée Green, \u003cem\u003eColour Games\u003c\/em\u003e, 1989. Acrylic on wood, Letraset dry-transfer lettering, and rubber-stamped ink on Masonite. Collection Yun Chun Lu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.bostonartreview.com\/shop\/yearly-print-subscription?level=Basic+%E2%80%94+%2442\"\u003e\u003cspan\u003ePrint subscribers get free shipping + other perks!\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":44225523613740,"sku":null,"price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/0_Front-square.jpg?v=1744039660"},{"product_id":"benefit-print-edition-sonia-almeida","title":"Benefit Print Edition: Sonia Almeida","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWe're pleased to announce the sale of an exclusive six-color jigsaw woodblock print by artist Sónia Almeida. With only 25 numbered editions, this artwork represents our first benefit print edition where all proceeds will go toward sustaining \u003c\/span\u003e\u003ci data-stringify-type=\"italic\"\u003eBoston Art Review's\u003c\/i\u003e\u003cspan\u003e future. Sónia Almeida's work can also be found in \u003c\/span\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.bostonartreview.com\/shop\/issue-14-half-full\" data-sk=\"tooltip_parent\" data-stringify-link=\"https:\/\/www.bostonartreview.com\/shop\/issue-14-half-full\" class=\"c-link\" target=\"_blank\"\u003eIssue 14: Half Full\u003c\/a\u003e\u003cspan\u003e in a print-exclusive artist project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSónia Almeida, \u003cem\u003eAsymmetries\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e, 2025\u003c\/strong\u003e\u003cbr\u003eJigsaw woodcut printed in colors on Fabriano Rosaspina paper. 23 in. x 30 in. unframed, 24 ½ in. x 31 ½ in. framed. Signed and dated in pencil. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eNumbered edition of 25\u003cbr\u003ePrinted by Stone Hill Press, Woburn\u003cbr\u003ePublished for \u003cem\u003eBoston Art Review\u003c\/em\u003e by \u003ca rel=\"noopener\" href=\"https:\/\/www.cairaarteditions.com\/\" target=\"_blank\"\u003eCaira Art Editions, Cambridge\u003c\/a\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan\u003e$1,950 unframed — \u003cmeta charset=\"utf-8\"\u003eAvailable for local pickup or shipping beginning May 15, 2025\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cspan\u003e$2,450 framed — \u003c\/span\u003ePlease allow 3-4 weeks for custom framing by Stanhope Framers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\u003c\/em\u003e\u003cem\u003eShipping costs are additional and will be determined based upon address at time of transit. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFor questions or to pay by invoice \/ check, please contact \u003ca href=\"mailto:jameson@bostonartreview.com\"\u003ejameson@bostonartreview.com\u003c\/a\u003e. Otherwise, we will be in touch to coordinate pickup or dropoff logistics. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eAbout this project: \u003cbr\u003e\u003c\/strong\u003eSónia Almeida is thinking about what is kept on the margins, and what it might be like for the peripheral to become central. The elements that make up \u003cem\u003eAsymmetries\u003c\/em\u003e refer to the material and the digital world—sometimes both at once. \u003c\/p\u003e\n\u003cp\u003eFor a composition made up of disparate elements—18th and 19th century fabric book samples, digital pixels, or architectural motifs—the jigsaw woodcut perfectly married medium to concept. \u003cem\u003eAsymmetries\u003c\/em\u003e is printed from eight distinct woodblocks, in six colors, via three runs through the press. The first layer required a careful registration of six individually inked woodblocks, fit together on the press bed like a jigsaw puzzle. The second and third layers, while single woodblocks only (one for the orange and one for the black) demanded no less precision. An accomplished printmaker, Almeida’s skill with the medium is seen in the variety of lines; note that any straight edges were manually cut alternately with and against the grain of the woodblock. \u003cmeta charset=\"utf-8\"\u003eAs a whole, the image coalesces into a spiral, forming a path for the eye to travel from the edges inward, with occasional steps and skips. This is akin to how we receive and synthesize information in daily life. \u003c\/p\u003e\n\u003cp\u003e“Chatter” is a printmaking term for the unintentional remnants of the block that print in areas that should be blank. (In a woodcut, anything unprinted in the image must be cut away.) Almeida reveled in the “chatter” that contributed spontaneous static in an otherwise carefully planned image. With \u003cem\u003eAsymmetries\u003c\/em\u003e, she questions why we focus on the center when the borders can be just as interesting. The characteristics of her medium offer a visual reprise: in a thoroughly mapped out image, the incidental marks enliven the whole.\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Unframed","offer_id":44340408156204,"sku":"","price":1950.0,"currency_code":"USD","in_stock":true},{"title":"Framed","offer_id":44340408188972,"sku":"","price":2450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/sonia_framed_square.jpg?v=1746751959"},{"product_id":"issue-15","title":"Issue 15","description":"\u003cp\u003e\u003cstrong\u003eAll copies of Issue 15 come with a free print copy of \u003ca href=\"https:\/\/artradar.org\/\"\u003eRadar\u003c\/a\u003e, our map of Greater Boston's art spaces and current exhibitions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCover: Tourmaline at Stonewall National Monument, 2025. Photo by Nico Reano for \u003cem\u003eBoston Art Review\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWith contributions by:  \u003c\/strong\u003e\u003cbr\u003eQais Assali\u003cbr\u003eMarcus Civin\u003cbr\u003eKim Córdova\u003cbr\u003eMelaine Ferdinand-King\u003cbr\u003eDevin Gordon\u003cbr\u003eKarolina Hać\u003cbr\u003eAlula Hunsen\u003cbr\u003ePetala Ironcloud\u003cbr\u003eLauren Levato Coyne\u003cbr\u003eRamona Ngin\u003cbr\u003eLian Parsons-Thomason\u003cbr\u003eEmily Sheffer\u003cbr\u003eEmily Shoyer\u003cbr\u003eTK Smith\u003cbr\u003eAlex Valenti\u003cbr\u003eRachel Vogel\u003cbr\u003eDoug Weathersby\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeaturing: \u003c\/strong\u003e\u003cbr\u003eDonnamaria Bruton\u003cbr\u003eAustin Bryant\u003cbr\u003eLiz Collins\u003cbr\u003eOdette England\u003cbr\u003eDrew Leventhal\u003cbr\u003eLisa McCarty\u003cbr\u003eBrooke Stewart\u003cbr\u003eTourmaline\u003cbr\u003eDaphne Xu\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMichael Mandel \u0026amp; Chantal Zakari\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReviews: \u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e“Bobby Anspach: Everything is Change” at the Newport Art Museum\u003cbr\u003e“Beverly Semmes: Boulders \/ Flag \/ Flip \/ Kick” at Tufts University Art Galleries\u003cbr\u003e“Fred Wilson: Reflections” at the Rose Art Museum\u003cbr\u003e“Visual Kinship” at the Hood Museum of Art, Dartmouth College\u003cbr\u003e“2025 James and Audrey Foster Prize” at the ICA \/ Boston\u003cbr\u003e“Nature Sanctuary” at deCordova Sculpture Park and Museum\u003cbr\u003e“Gisela McDaniel: ININA” at the Ogunquit Museum of American Art\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":44830222516268,"sku":null,"price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/15_Front-square.jpg?v=1759342837"},{"product_id":"box-of-radar-maps","title":"Free Art Radar Maps (New: Fall 2026)","description":"\u003cp\u003eWant to help us distribute \u003cem\u003eRadar\u003c\/em\u003e to your community?\u003c\/p\u003e\n\u003cp\u003eJust pay for the shipping and we'll send you a stack of maps along with a free copy of Issue 16 as a thank you for helping us get \u003cem\u003eRadar \u003c\/em\u003eout into the world. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Radar: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \u003cem\u003e\u003ca href=\"https:\/\/artradar.org\/\"\u003eBoston Art Radar\u003c\/a\u003e\u003c\/em\u003e is a first-of-its-kind resource for connecting people to the cultural spaces that shape Greater Boston’s visual arts community. From artist-run spaces and studio buildings to galleries and museums, Radar is an on-the-ground guide driven by neighborhoods rather than destinations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaps are free and released quarterly. All locations on the map are distribution points for Radar. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Fall 2026 Edition:\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eThis edition includes listings for exhibitions and programs through November 15, 2026. \u003cbr\u003e\u003cbr\u003eWe even added 10 new locations!\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------------------------------------------\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eLooking for just one copy of the \u003cem\u003eRadar\u003c\/em\u003e map? Order a \u003ca href=\"https:\/\/www.bostonartreview.com\/shop\/issue-16\"\u003ecopy of Issue 16\u003c\/a\u003e to get a copy of \u003cem\u003eRadar \u003c\/em\u003eor \u003ca href=\"https:\/\/artradar.org\/map\"\u003evisit one of the locations on the map\u003c\/a\u003e to pick one up for free. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"1 Stack — 20 Copies","offer_id":44902567706668,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true},{"title":"2 Stacks — 40 Copies","offer_id":44902567739436,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true},{"title":"3 Stacks — 60 Copies","offer_id":44902567772204,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true},{"title":"4 Stacks — 80 Copies","offer_id":45553036296236,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR-Radar-Fall2026-mockup.jpg?v=1789391143"},{"product_id":"issue-16","title":"Issue 16","description":"\u003cp\u003e\u003cstrong\u003eAll copies of Issue 16 come with a free print copy of \u003ca href=\"https:\/\/artradar.org\/\"\u003eRadar\u003c\/a\u003e, our map of Greater Boston's art spaces and current exhibitions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eCover: Inside Aspen Golann's studio in Rochester, New Hampshire, she is pictured with \u003cem\u003eCombback Windsor Armchair\u003c\/em\u003e, \u003cem\u003eCircle Broom\u003c\/em\u003e, \u003cem\u003eWheat Broom\u003c\/em\u003e, \u003cem\u003eErgo Workstool\u003c\/em\u003e, and \u003cem\u003eSplit Broom\u003c\/em\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWith contributions by:\u003cbr\u003e\u003c\/strong\u003eJorge S. Arango\u003cbr\u003eRichard Blanco\u003cbr\u003eBrian Boyles\u003cbr\u003eMarcus Civin\u003cbr\u003eKaitlyn Ovett Clark\u003cbr\u003eJ. Yolande Daniels\u003cbr\u003eMelaine Ferdinand-King\u003cbr\u003eLindsey Filowitz\u003cbr\u003eEmmy Liu\u003cbr\u003eNina MacLaughlin\u003cbr\u003eMarianna McMurdock\u003cbr\u003eMary Amanda McNeil\u003cbr\u003eDana Moser\u003cbr\u003eAlanna Prince\u003cbr\u003eElodie Saint-Louis\u003cbr\u003eShuchi Saraswat\u003cbr\u003eYuTong Shi\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeaturing:\u003cbr\u003e\u003c\/strong\u003eSilence Dogood\u003cbr\u003eAspen Golann\u003cbr\u003eChenlu Hou\u003cbr\u003eRebecca Kopycinski\u003cbr\u003eRixy\u003cbr\u003eYinka Shonibare\u003cbr\u003eBenjamin Spalding\u003cbr\u003eWEATHERMAN\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eReviews\u003cbr\u003e\u003c\/strong\u003e\"Revolution! 250 Years of Art \u0026amp; Activism in Boston\" at the Boston Public Library\u003cbr\u003e\"Say It Loud: AAMARP, 1977 to Now\" at the ICA \/ Boston\u003cbr\u003e\"Michelle Lopez: Shadow of a Doubt\" at Tufts University Art Galleries\u003cbr\u003e\"Eve Fowler: words doing as they want to do\" at the Harvard Radcliffe Institute\u003cbr\u003e\"Edmonia Lewis: Said in Stone\" at Peabody Essex Museum\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Boston Art Review","offers":[{"title":"Default Title","offer_id":45442058551340,"sku":null,"price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0591\/8769\/1564\/files\/BAR-16_cover-square.jpg?v=1777472204"}],"url":"https:\/\/boston-art-review.myshopify.com\/collections\/all-products.oembed","provider":"Boston Art Review","version":"1.0","type":"link"}